Anthology of the Mugham, vol. 7

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The mugham, the classical music of Azerbaijan, holds pride of place among the oriental music for its beauty, its power of expression and its extraordinary vitality. Although this music is monodic and modal, each musician, whether singer, lute (târ) or bowed lute (kemânche) player, enjoys a great freedom of interpretation which provides its special depth. The mugham offers, at one and the same time, outstanding diversity and unity: the alternance of compositions and semi-improvisations, of free and regular rhythms, of joyful and sombre moods, is balanced by the smoothness with which all these elements are linked together without interruption.
Born in the 1940s, Djanali Akberov learnt music from his family. Then, he followed Syed Shushinski's courses at the Zeynali School of Music, while he became impregnated with the art of Khân Shushinski through his concerts and radio broadcasts. Hence, Djanali Akberov is an heir of the two greatest singers of the first half of the 20th century and an outstanding figure in Azeri classical music. Despite his age of 50 when these recordings are made, Djanali maintains the qualities of voice tone and vocal suppleness of a young singer with, in addition, an understanding, a depth of interpretation that only comes with maturity.

- Mugham Orta Mâhur
- Mugham Shekaste-i-fars
- Huzzal Zarbi
- Mugham Chopân Bayâti
- Mugham Shushtar
- Mugham Dogâh
- Mansuriye


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